The workhorse of the inventory. Flat panel walls for general sessions, keynotes, product launches, and booth backdrops, in a pitch range wide enough to cover a boardroom screen and an arena backdrop from the same product family.
For when a flat rectangle is not the idea. Curved walls that wrap a stage, shaped elements that frame a reveal, and modular builds that behave like scenic rather than like a screen.
Self-contained freestanding walls on wheels, with no rigging or truss required. They roll in, power up in minutes, and add a big screen to a lobby or breakout room without a structural conversation. Our team sets them and they are running before doors.
Pixel pitch is the distance between LEDs, and it decides the closest someone can stand before the image breaks into dots. It is the one spec worth understanding before you take a quote, because it is where money gets wasted in both directions: a pitch too coarse looks like a scoreboard, and a pitch too fine costs multiples more for a difference nobody in the room can see.
| Viewing distance | Pitch that fits | Typical application | When it is the wrong choice |
|---|---|---|---|
| Under 8 feet | 1.5mm to 2.6mm | Executive briefings, broadcast sets, lobby displays people walk right up to | Anywhere the audience is seated back. You are paying for detail nobody can resolve. |
| 10 to 30 feet | 2.9mm to 3.9mm | Trade show booths, breakout rooms, mid-size general sessions, press-facing builds | Rarely wrong in this range. This is the working band for most corporate work. |
| 30 feet and beyond | 4.8mm to 10mm | Arena backdrops, stadium and festival walls, large general sessions | Close-up or on-camera detail work, where the pixel structure becomes visible |
Brightness matters second, and mostly outdoors or in a room you cannot darken. A wall that looks brilliant in a blacked-out ballroom washes out under a skylight. Tell us where the light is coming from and we will spec to that rather than to a number on a sheet.
For the full explanation of pitch, sizing, and how the math works, read our guide to LED video wall rental.
We size the wall to your room, your content, and your sightlines before a quote goes out.
Our crew brings it, builds it, and maps it. Rigging or ground support planned in advance, not solved on site.
Someone at the position for every hour your event is live, not a setup tech who leaves after install.
Processing, scaling, and playback, with redundant sources so one failure is not a dark wall.
We break it down on the venue's schedule and get it out.
HINO was entering the Class 8 truck market in the US for the first time and needed a reveal nobody in the commercial truck industry had seen. The trucks had to stay completely hidden through two days of an open trade show hall, then appear on a single cue.
We built a 360-degree ground-level enclosure from 288 PixelFLEX FLEXlite Plus panels at 3.9mm pitch, ran content across it for the first two days, and
rigged the structure to twelve Kinesys one-ton motors so the entire wall could lift on one cue.
The trucks stayed concealed through two days at the 2018 Work Truck Show in Indianapolis. On day three the enclosure lifted in front of more than 2,000 spectators.
Exhibit hall viewing distances put the audience 10 to 30 feet out, and press cameras were shooting it. A finer pitch would have tripled the panel cost with nothing visible to gain.